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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Self portrait

Elegance in exile

Portrait drawings from colonial Australia

Previous exhibition, 2012

Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.

Ellen Stirling

Ellen Stirling

Ellen Stirling

Ellen Stirling, c. 1828

Thomas Phillips

Portrait, oil on canvas

Purchased with funds provided by the Ian Potter Foundation 2008

Captain W Kinghorne

Captain W Kinghorne

Captain W Kinghorne

Captain W Kinghorne, 1834

Thomas James Lempriere

Portrait, oil on canvas

Collection: National Portrait Gallery
Purchased with funds provided by The Ian Potter Foundation 2007

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Portrait of Cate Blanchett

Being Cate

Magazine article by Dr Christopher Chapman, 2009

A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.

Francis Bacon on Primrose Hill, 1963

Shadows of light

Magazine article by Mark Haworth-Booth, 2002

Mark Haworth-Booth explains why Bill Brandt is one of the most important British photographers of the Twentieth Century.

The Mutineers turning Lieut Bligh and part of the Officers and Crew adrift from His Majesty's Ship the Bounty

The Mutineers turning Lieut Bligh and part of the Officers and Crew adrift from His Majesty's Ship the Bounty

The Mutineers turning Lieut Bligh and part of the Officers and Crew adrift from His Majesty's Ship the Bounty

The Mutineers turning Lieut Bligh and part of the Officers and Crew adrift from His Majesty's Ship the Bounty, 1790

Portrait, aquatint engraving on paper

Purchased with funds provided by the Ian Potter Foundation 2008

Lee Kernaghan near Broken Hill

Australian of the Year

Inspiring a Nation

Previous exhibition, 2010

The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.

Self Portrait in red shirt, 1937 by Arthur Boyd

Arthur as Alyosha?

Magazine article by Patrick McCaughey, 2015

Patrick McCaughey explores a striking Boyd self portrait.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven

Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Shakespeare to Winehouse: Icons from the National Portrait Gallery, London

Announcing Shakespeare to Winehouse

24 November 2021

Archived media releases 2021

More than eighty treasures from the National Portrait Gallery London will travel to Canberra for a once-in-a-lifetime exhibition at the National Portrait Gallery from March 2022.

Clifton Pugh and John Olsen, Dunmoochin

Poet of the Fleeting Moment

Magazine article by Simon Elliott, 2004

Mark Strizic's work crosses a broad spectrum of photographic fields including urban, industrial, commercial, and architectural photography.

The possessed, 1942 by Albert Tucker

The inner voice

Magazine article by Dr Christopher Chapman, 2011

Dr Christopher Chapman, curator of Inner Worlds: Portraits & Psychology looks at Albert Tucker's Heidelberg military hospital portraits.

Anna Culliton, 2016 by Mark Mohell

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in.

Artist and wife near Arthurs Seat, 1969

Through blue eyes

Magazine article by Dr Sarah Engledow, 2009

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

Sidney Nolan, Western Australia

Cultural kaleidoscope

Magazine article by Dr Sarah Engledow, 2006

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency